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As the name implies, a platform game requires the player to maneuver their character across platforms to reach a goal. These games typically are either played from the side view using 2D movement or in 3D with the camera either in a first-person or third-person perspective.
The most common movement options in the genre are walking, running, jumping, attacking, and climbing. Jumping can be categorized as either "committed" or "variable"; wherein the trajectory of a committed jump cannot be changed mid-air, that of a variable jump can.
Depending on the game, falling from considerable heights may cause fall damage, possibly leading to death. Many platform games also have seemingly bottomless pits or other features within the game world that kill a character immediately were they to fall into them.
Beyond these elements, the components of a platform game can vary greatly, including various additional movement options, combat, or other features.
The term platform game came about some years after the genre emerged following the release of the first established title in the genre, Donkey Kong , in Platform games originated in the late s - early s.
Most, but not all, early examples of platform games were confined to a static playing field, generally viewed in profile, and were based on climbing mechanics between platforms rather than jumping.
Space Panic , a arcade release by Universal , is sometimes credited as being the first platform game,  though the distinction is contentious.
While the player has the ability to fall, there is no ability to jump, so the game does not satisfy most modern definitions of the genre.
However, it clearly influenced the genre, with gameplay centered on climbing ladders between different floors, a common element in many early platform games.
A difficult game to learn, Space Panic remained obscure as an arcade game, but the unauthorized clone Apple Panic was a hit for home computers.
Another precursor to the genre from was Nichibutsu 's Crazy Climber , which has the player scaling vertically-scrolling skyscrapers. Donkey Kong , an arcade game created by Nintendo and released in July , was the first game to allow players to jump over obstacles and across gaps, making it the first true platformer.
Donkey Kong was ported to many consoles and computers at the time, notably as the system-selling pack-in game for ColecoVision ,  and also a handheld version from Coleco in This title laid the groundwork for other two-player cooperative platformers such as Fairyland Story and Bubble Bobble.
Beginning in , transitional games emerged that did not use scrolling graphics, but had levels that span several connected screens. David Crane's Pitfall!
Smurf: Rescue in Gargamel's Castle was released on the ColecoVision that same year, adding uneven terrain and scrolling pans between static screens.
Manic Miner and its sequel Jet Set Willy continued this style of multi-screen levels on home computers. The first platform game to use scrolling graphics came years before the genre became a trend.
As part of a nascent genre, its development was not strongly influenced by existing conventions, nor was it said to be a major influence on games immediately after it.
Jump Bug offered a glimpse of what was to come, with uneven, independently suspended platforms and levels that scroll both horizontally and vertically.
The Apple II game Track Attack includes a scrolling platform level where the character runs and leaps along top of a moving train. Only a few home systems of the early s had hardware support for smooth background scrolling—most notably the Atari 8-bit family.
Nevertheless, B. The same year, a scrolling platform game appeared on the Commodore 64 and Atari 8-bit computers called Snokie.
Based on the Saturday morning cartoon rather than the maze game, Namco's Pac-Land was a bidirectional, horizontally-scrolling, arcade platformer with walking, running, jumping, springboards, power-ups , and a series of unique levels.
Nintendo's platform game Super Mario Bros. Its success as a pack-in led many companies to see platform games as vital to their success, and contributed greatly to popularizing the genre during the 8-bit console generation.
Sega attempted to emulate this success with their Alex Kidd series, which began in on the Master System with Alex Kidd in Miracle World , a platformer that featured horizontal and vertical scrolling levels, the ability to punch enemies and obstacles, and shops where the player could buy power-ups and vehicles.
The environments are varied, including mountains, caves, oceans, forests, and underwater segments. The original Wonder Boy in was inspired more by Pac-Land than Super Mario Bros , and featured skateboarding segments that gave the game a greater sense of speed than other platformers at the time,  while its sequel, Wonder Boy in Monster Land , took the series in a new direction by combining action-adventure and action role-playing elements with traditional platforming.
Scrolling platformers went portable in the late s with games such as Super Mario Land , and the genre continued to maintain its popularity, with many titles released for the handheld Game Boy and Game Gear systems.
Because of their small size, technical constraints, and blurring associated with the LCD technology, fast-paced action-based platformers were more difficult to develop for these handheld systems.
Because of this, many early handheld platformers leaned towards slower-paced play styles and a greater emphasis on puzzles. One of the first platform games to scroll in all four directions freely and follow the on-screen character's movement is in a vector game called Major Havoc , which comprises a number of mini-games, including a simple platformer, a shoot 'em up sequence, a landing sequence, and a Breakout clone.
In , Enix released an open world platform-adventure game, Brain Breaker. Another platform-adventure released that year, Pony Canyon 's Super Pitfall , was critically panned for its vagueness and weak game design.
That same year Jaleco released Esper Boukentai , a platform-action sequel to Psychic 5 that scrolled in all directions and allowed the player character to make huge multistory jumps, which were necessary to navigate the giant, vertically oriented levels.
In , Capcom 's Mega Man introduced non-linear level progression where the player is able to choose the order in which they complete levels.
This was a stark contrast to both linear games like Super Mario Bros. GamesRadar credits the "level select" feature of Mega Man as the basis for the non-linear mission structure found in most open-world, multi-mission, sidequest -heavy games.
The advent of bit home consoles marked an evolutionary step for the genre. By the time the Genesis and Super NES launched, platform games were the most popular genre in home console gaming and were seen as vital for winning the console war.
There was a particular emphasis on having a flagship platform title exclusive to a format, featuring a mascot character.
The title was only modestly successful, and Sega realized it needed a stronger mascot to move Genesis units.
That same year, Capcom released the platformer Strider , which scrolled in multiple directions and allowed the player to summon artificial intelligence AI partners, such as a droid, tiger, and hawk, to help fight enemies.
In order to fend off the new competition, Sega released Sonic the Hedgehog. Sonic featured large stages that scrolled effortlessly in all directions, as well as all manner of uneven terrain, curved hills, and a complex physics system that allowed players to rush through its levels with well-placed jumps and rolls.
Lastly, there was the game's eponymous main character. Whereas prior platforming mascots tended to be either middle-aged men or young children, Sega decided to characterize Sonic as a teenager, with a rebellious personality in order to appeal to older gamers,  and super speed to help show off the Genesis' hardware capabilities.
The game proved to be a massive hit, was a successful pack-in with new systems, and cemented the view that platform games would make or break a console.
The Sonic character was seen as a new model for mascots in the early s, particularly for his perceived attitude, which characterized him as a rebel.
This attitude soon became the status quo, as companies attempted to duplicate Sonic's success with their own brightly colored anthropomorphisms.
These mascots, which included Gex , Mr. Although there had long been important platform games on home computers, a second generation of platform games for computers appeared alongside the new wave of consoles.
In the late s and early s, the Amiga was known as a stronger gaming platform than IBM PC compatibles , thanks to its more powerful stock video hardware and sound hardware.
Games like Shadow of the Beast and Turrican showed that computer platform games could rival the graphics and sound of their console contemporaries.
Prince of Persia , originally released for the Apple II in , long after that system's heyday, featured an unprecedented level of animation.
The abundance of platformers for bit consoles continued late into the generation, with successful games such as Vectorman , Donkey Kong Country 2: Diddy's Kong Quest , and Super Mario World 2: Yoshi's Island , but the release of new hardware caused players' attention to shift away from traditional 2D genres.
The 2D Rayman was a big success on bit consoles. Castlevania: Symphony of the Night revitalized its series and established a new foundation for later Castlevania games.
Oddworld and Heart of Darkness kept the subgenre born from Prince of Persia alive. The difficulties of adapting platform gameplay to three dimensions led some developers to compromise by pairing the visual flash of 3D with traditional 2D side scrolling gameplay.
These games are often referred to as 2. The game featured levels and boss characters rendered in 3D, but retained 2D gameplay and used pre-rendered 2D sprites for regular characters, similar to Donkey Kong Country.
Its sequel improved upon its design, featuring some 3D effects such as hopping between the foreground and background, and the camera panning and curving around corners.
Meanwhile, Pandemonium and Klonoa brought the 2. In a break from the past, the Nintendo 64 had the fewest side scrolling platformers with only four; Yoshi's Story , Kirby The Crystal Shards , Goemon's Great Adventure , and Mischief Makers —and most met with a tepid response from critics at the time.
The term 3D platformer usually refers to games that feature gameplay in three dimensions and polygonal 3D graphics.
Games that have 3D gameplay but 2D graphics are usually included under the umbrella of isometric platformers , while those that have 3D graphics but gameplay on a 2D plane are called 2.
The first attempts to bring platform games into 3D used 2D graphics and had an isometric perspective. These games are nearly as old as the genre itself, one of the earliest examples being Sega's Congo Bongo in The first platformers to simulate a 3D perspective and moving camera emerged in the early-mids.
An early example of this was Konami 's platform game Antarctic Adventure ,  where the player controls a penguin in a forward-scrolling third-person perspective while having to jump over pits and obstacles.
It was notable for being one of the first stereoscopic 3-D games. It allowed players to move in all directions, but it did not allow movement along more than one axis at once; the player could move orthogonally but not diagonally.
Its characters were pre-rendered sprites, much like the earlier Clockwork Knight. The game played very similarly to 2D platformers, but it was considered a true 3D title, and let players walk up walls and on ceilings.
It was a moderate success, and spawned a sequel called Bug Too! Entitled Fade to Black , it was the first attempt to bring a popular 2D platform game series into 3D.
While it retained the puzzle-oriented level design style and step-based control, and bore a strong resemblance to its predecessor, it did not meet the criteria of a platform game, and was billed as an action adventure.
Fade to Black set the stage for other series, such as Metroid and Duke Nukem , that gradually shifted away from the traditional platform formula while retaining many of its gameplay conventions.
There was a great deal of pressure on Sony, Sega, and Nintendo to release mascot platformers before the holiday season. Sony chose to adopt an existing project by developers Naughty Dog , a small developer at the time, who had recently released the questionable Way of the Warrior.
The move paid off; their game, Crash Bandicoot , beat Nintendo's new console to market in North America and was released in time for the holiday in Japan.
Crash remained Sony's unofficial mascot for the next several years before switching to multi-platform releases in the following console generation.
Sega did not fare as well. This pressure must encourage the point guard to dribble with the aim being to force them into an uncontrolled dribble.
The first help defender will usually be the player who pressured the inbounds pass not necessarily always X4.
This player must be smart in their decision-making as they have one of the toughest roles on the floor. The other three players on the floor are initially responsible for denying the easy pass up the floor by playing their opponents side-by-side.
The run and jump defense starts immediately after your team scores the basketball. A defensive player must put immediate pressure on the inbounds pass to allow the defense time to set up and also to discourage the long pass down the floor.
The player that pressures the in-bounds pass should be the player closest to the ring after an offensive score. This rule is in place to ensure that the basketball is pressured as quickly as possible x4 in the diagram.
This player might be a guard after a layup or a big after your team makes an outside shot. But if your players find themselves deciding who should guard the inbounds pass out of a guard and a post player, we would prefer the post player.
As the opposition is in-bounding the basketball, your team must have one defender pressuring the in-bounds pass, and the other four defenders should be matched up in man-to-man.
The most important rule to remember on an inbounds pass is that we want the opposition to catch the basketball below the free-throw line.
Preferably as close to the baseline as possible. To do this, the front defenders x1 and x2 play behind their opponents and allow them to cut to the basketball and make the catch.
The players that are defending at half-court should be standing on the side of their opponent so that they can pick off any passes that are made over the top of the front line.
We never allow the lob pass. Once the basketball is inbounded, the player who was defending the inbounds pass must immediately get behind the line of the basketball.
The run and jump defense can only be effective when the help defenders are in the forward path of the player with the basketball.
This allows us to be in the correct positions to jump-switch or to trap. We simply pick the basketball up while everyone falls back into help positions again.
Once the offense has inbounded the basketball and the defenders are all in the correct positions, the next step is to put a high amount of pressure on the player with the basketball.
We do this to achieve two things: 1. To not allow the point guard to survey the floor and make a forward pass. To encourage the point guard to dribble the basketball.
This is why all defenders near half-court should be playing side-by-side on their opposition player. They do this by positioning themselves on the dribblers inside hip and by applying a high amount of pressure.
This concern is understandable because coaches have been drilling into them for years to never allow an offensive player to beat them off the dribble.
The 1 goal is to get the dribbler into an uncontrolled dribble down the sideline leading straight into the main sideline trap!
Providing that your team has done a good job of cutting off forward passing lanes and forcing the point guard to dribble, there are three possible scenarios that can occur:.
The point guard reverses the basketball to another player. The point guard dribbles down the sideline. The point guard dribbles towards the middle of the court.
If the point guard dribbles down the sideline, the players set a trap. As spoke about previously, no player should be behind the line of the basketball.
As spoke about previously, this begins with the on-ball defender positioning their body so that the point guard is encouraged to dribble down the sideline.
While we allow the offensive player the first step, the on-ball defender must never allow themselves to get completely beat on the play.
This will always lead to a foul. The best player to trap the basketball on the sideline with is the first help defender.
This is usually the player who puts pressure on the inbounds pass. Then you're not mistaken with the address. Before you can become the ultimate spec ops operative, you must complete the combat..
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